How eye focus works for pistol shooters
Posted: Sat May 26, 2012 10:44 am
Brand new to the site, so I thought I should introduce myself. My name is Art Neergaard, I never shot competitive pistol, but I am a Service Rifle shooter, so I’m not a novice to the concepts of sight alignment.
I'm a mechanical engineer, photographer, I studied optical physics as part of my engineering degree, but never really worked in the field as a profession. Over 50 years old, presbiopic, can't see the front sight anymore, so I looked at the optics of apertures and lenses to figure out what the optics in your eye ought to do, and why they don’t anymore. Eventually, I developed a couple of products to help shooters see better, and aim better, and started a small company that I run in the evenings and weekends, ShootingSight LLC, to sell these for Service Rifle use. To be clear: I am not an eye doctor. I know nothing of eye diseases, and I cannot diagnose. But I do know optical physics, and I understand lenses from a mathematical formula perspective, so I can offer insights that sometimes an eye doctor cannot.
Shooting is all about focus and depth of field, because you are trying to juxtapose a nearby object (the front sight) and a far object (the target). People who prefer to memorize quips, rather than actually understanding a subject like to throw out "the eye can only focus at one distance at a time". This comment is at best shallow, and under certain circumstances is downright wrong. Yes, in a theoretical sense, a lens has only one focal length, but when the image sensor (your retina) has a maximum resolution, degrees of blur which are less than your maximum resolution will still be perceived to be perfectly in focus. So, there is a range of distance that you can move an object slightly closer than your focal point, or slightly further than your focal point, where the amount of blur will be invisible. There is an even bigger range of distance where the amount of blur is so small that the image is good enough for your brain to use. This range over which an object appears to be in perfect or nearly perfect focus is called your depth of field. It ranges from some point closer than your focal point, and extends out to some range beyond your focal point.
The optics of shooting are all about:
a) Getting your focal point in the right place, so your depth of field is spread evenly between the front sight and the target, and
b) Getting your depth of field to be as big as possible, so you can see both front sight and target at the same time without your eye having to refocus between them.
In order to get the best vision of both a front sight and target, the first thing you want to do is focus your eye on a point between the front sight and the target, so that while the eye is relaxed, the amount of blur on the front sight (because it is closer than your focal point) is equal to the amount of blur you see on the target (because it is further away than your focal point). When you see the same amount of blur on near objects as on far objects, it means your depth of field is centered between them.
This focal distance which exactly divides your depth of field between the front sight and infinity is known to photographers as the ‘hyperfocal’ distance of the front sight. You can calculate the distance quite simply because the math works out to be exactly 2x the distance from your eye to the front sight. When I shoot an AR-15, the sight radius is 20” and there are usually 2” between the rear sight and my eye, so eye to FS is 22”. That means my hyperfocal distance is 44”.
Next question is how do you focus at 44”? In the relaxed state, a healthy human eye will focus at infinity. The cilary muscle around the lens can then exert itself to squeeze the lens to make it focus up close. When you are young, and the eye lens is soft, you can focus as close as about 10”, so making only a slight shift from infinity back to 44” is a breeze (it is not zero effort, but most young people ignore it).
As you get older (usually around 40), the lens starts to get harder, and the eye muscle can only focus up close with great effort, or else can’t focus up close at all. You can still focus at distance fine, but need reading glasses (or longer arms). These people lose the front sight, especially at the end of the day, where they have forced the eye muscle to maximum exertion all day long, and then tried to get the muscle to hold still in that exerted state while they aim. After a few shots, the muscle can’t hold, and starts to slip or tremble, and your focus fades. I’m sure at my age I can still do a snappy pullup. But he second one will be slow, the 3rd one might not happen. Same thing for forcing your eye to try and focus up close. As a sidenote here, I have seen claims about nutrition or exercise programs to get your eye back in shape. I think they are a scam. Yes, if you exercise a muscle, you might build it up, but even if this were true for the eye, you have at best created a compensation; you have not fixed the underlying problem that the lens in your eye is hard, and does not focus as well.
If the eye muscle can’t exert to get your eye to your hyperfocal point for the rifle, the other solution is to add a lens. Positive diopter lenses will shift your focal point closer, so you can see up close without the eye muscle having to make the effort. This is what reading glasses do. Difference is that reading glasses shift your focus way close, to arm’s length for reading, which is much too close for shooting. To shoot, you need only a mild corrective lens to shift your focus from infinity to the hyperfocal point. To be clear, older shooters might NEED this correction to see, but young shooters can benefit from a lens as well - it will give them the same image they see with their unaided eye, but they will see it while the eye muscle remains relaxed, rather than having to hold the eye muscle still in the flexed state. This is why almost every Olympic shooter wears a lens.
What lens to use? Lens math for this is pretty simple. Lens power (measured in diopters) is simply the inverse of the focal length, in meters. A 2.0 diopter lens in reading glasses will focus at ½ meters. A 3.0 will focus at 1/3 meters, and a 1.5 diopter will focus at 1/1.5 = 0.66 meters.
You can easily work the math backwards – if you know the distance you want to focus at, convert it to meters, invert the value, and that is the lens you would want. Using the AR example, if you want to focus at 44”, that is 1.12 meters, and would require a +0.9 diopter lens (1/1.12 = 0.9) to shift your eye’s relaxed focus from infinity to the hyperfocal point. Since lenses typically come in ¼ diopter increments, you would round this to a +0.75 diopter. (I won’t go into why you always want to round down, but you do). Unfortunately, reading glasses from the drugstore usually start at +1.25 diopters, which is much too strong – these would give you a really sharp front sight, but the target will be gone in a blur.
If you wear daily glasses for corrective purposes, the good news is that diopters simply add, so if you are farsighted and need a +1.00 sphere to see distance, you would simply take the +1.00 in your prescription and add the +0.75 we worked in the above example, and your ideal shooting lens would be a +1.75. You do have to beware of signs. If you are nearsighted, and need a -1.00 to correct for distance, adding +0.75 to the -1.00 value would net you a -0.25 lens.
Now, there is an addendum to all of this for pistol shooters. In rifle, the rear sight drops out of the equation, and logically you balance focus between the front sight and the target. In pistol, the rear sight does not drop out of the equation, so there is a subtle shift in the logic. In my gut, I think you want to balance your focus between the rear sight and the target, not the front sight and the target. The difference is subtle, but it is not zero, so it is worth figuring out. I’m still gathering information on this, and welcome input from shooters.
After you have achieved focus at the hyperfocal distance, the next step is to reduce blur across the whole range of distances, and this is done by reducing your aperture size. The amount of blur you see on an object is linear with aperture diameter. Your eye naturally has an aperture (the pupil) of about 0.125” on a bright day. If you try and aim without a rear aperture (ie using notch sights), you will see considerable blur on the front sight and the target, even if your eye is at the hyperfocal distance. Using a 0.0625” diameter aperture will cut the amount of blur by half.
The ‘dark side’ of apertures (pun intended) is that the total open area of the aperture limits how much light reaches your eye. As you make the aperture smaller, the image gets dim. In theory, if you used a 0.012” aperture, the focus on the front sight and the target would both be at the resolving limit of the eye, and would be in perfect focus. Unfortunately, most people need about 10x as much light as this to see a good image, so a 0.040” aperture is about as small as most people can tolerate in an AR-15.
In pistol, you have the option to put an aperture on your lens, since you do not form a cheek weld to the rifle stock, and can thus move your head slightly to get proper alignment. These small apertures will do a huge amount of good in crisping up the focus on sights and on the target at the same time.
There is a subnote on apertures, which bears on my products: apertures focus is a particular direction, based on how big they are in that direction. In other words, a horizontal line has its vertical blur limited by how tall the aperture is, while a vertical line can blur side/side based on how wide an aperture is. If you look at a front sight post through a standard round aperture, it will exhibit the same amount of blur on horizontal and vertical edges. However if you keep the total area constant, but make the aperture wider and shorter, so it becomes oval or rectangular, you will improve focus on horizontal lines, and give up focus on vertical lines, even though you have not given up any brightness. For a post shooter, this is a benefit. Windage aiming, and elevation aiming are two different things for your brain. In windage, you are judging the symmetry of the target to the front sight. Centering a target between two sharp vertical edges of the sight, and centering it between two fuzzy edges is the same thing, so focus is not important for windage estimation. Elevation, however, requires determining exactly where the top edge of your sight is, and for this you need sharp focus. Net, a slit shaped opening will bias your focus on the top horizontal edge, giving you improved focus ion elevation, without any sacrifice in windage aiming.
Remembering that most AR shooters find that an 0.040” diameter is as small as they want to go, a rectangular aperture of 0.025” tall x 0.050” wide has the same open area, so the same image brightness as the 0.040” round aperture, however since blur is linear with aperture dimension, dropping the vertical opening from .040” to .025” will reduce blur on the top edge of the post by about 30%.
Bottom line: for pistol shooters, if you do not wear glasses to see far, you would benefit from a +0.50 or +0.75 lens. If you do wear glasses, adding +0.75 to your distance prescription will do the same thing for you.
In the interests of full disclosure, I do sell the products I am discussing here, so apply the appropriate skepticism to my recommendations. But I developed these products in accordance with the laws of physics, I am not trying to ‘spin’ the laws of physics to justify my products, so you will find many shooters who insist they work.
I do sell safety glasses that have +0.50 or +0.75 lens inserts in them.
I cut custom round lenses for shooters to fit into Knobloch and similar shooting glasses, including prescriptions for astigmatism.
I am working on making self adhesive foil apertures. I have 0.042” and 0.054” apertures. These are in the range of sizes rifle shooters use for outdoor light. I’ll give some of these away to any pistol shooter who buys a lens, just to get feedback on if these sizes work for indoor lighting. If you want a set for free, send me a self-addressed stamped envelope by July 1, and I’ll send a pair out.
Art Neergaard
ShootingSight LLC
607 Redna Terr., Suite 600
Cincinnati, OH 45215
http://www.shootingsight.com
email: shootingsight@nuvox.net
I'm a mechanical engineer, photographer, I studied optical physics as part of my engineering degree, but never really worked in the field as a profession. Over 50 years old, presbiopic, can't see the front sight anymore, so I looked at the optics of apertures and lenses to figure out what the optics in your eye ought to do, and why they don’t anymore. Eventually, I developed a couple of products to help shooters see better, and aim better, and started a small company that I run in the evenings and weekends, ShootingSight LLC, to sell these for Service Rifle use. To be clear: I am not an eye doctor. I know nothing of eye diseases, and I cannot diagnose. But I do know optical physics, and I understand lenses from a mathematical formula perspective, so I can offer insights that sometimes an eye doctor cannot.
Shooting is all about focus and depth of field, because you are trying to juxtapose a nearby object (the front sight) and a far object (the target). People who prefer to memorize quips, rather than actually understanding a subject like to throw out "the eye can only focus at one distance at a time". This comment is at best shallow, and under certain circumstances is downright wrong. Yes, in a theoretical sense, a lens has only one focal length, but when the image sensor (your retina) has a maximum resolution, degrees of blur which are less than your maximum resolution will still be perceived to be perfectly in focus. So, there is a range of distance that you can move an object slightly closer than your focal point, or slightly further than your focal point, where the amount of blur will be invisible. There is an even bigger range of distance where the amount of blur is so small that the image is good enough for your brain to use. This range over which an object appears to be in perfect or nearly perfect focus is called your depth of field. It ranges from some point closer than your focal point, and extends out to some range beyond your focal point.
The optics of shooting are all about:
a) Getting your focal point in the right place, so your depth of field is spread evenly between the front sight and the target, and
b) Getting your depth of field to be as big as possible, so you can see both front sight and target at the same time without your eye having to refocus between them.
In order to get the best vision of both a front sight and target, the first thing you want to do is focus your eye on a point between the front sight and the target, so that while the eye is relaxed, the amount of blur on the front sight (because it is closer than your focal point) is equal to the amount of blur you see on the target (because it is further away than your focal point). When you see the same amount of blur on near objects as on far objects, it means your depth of field is centered between them.
This focal distance which exactly divides your depth of field between the front sight and infinity is known to photographers as the ‘hyperfocal’ distance of the front sight. You can calculate the distance quite simply because the math works out to be exactly 2x the distance from your eye to the front sight. When I shoot an AR-15, the sight radius is 20” and there are usually 2” between the rear sight and my eye, so eye to FS is 22”. That means my hyperfocal distance is 44”.
Next question is how do you focus at 44”? In the relaxed state, a healthy human eye will focus at infinity. The cilary muscle around the lens can then exert itself to squeeze the lens to make it focus up close. When you are young, and the eye lens is soft, you can focus as close as about 10”, so making only a slight shift from infinity back to 44” is a breeze (it is not zero effort, but most young people ignore it).
As you get older (usually around 40), the lens starts to get harder, and the eye muscle can only focus up close with great effort, or else can’t focus up close at all. You can still focus at distance fine, but need reading glasses (or longer arms). These people lose the front sight, especially at the end of the day, where they have forced the eye muscle to maximum exertion all day long, and then tried to get the muscle to hold still in that exerted state while they aim. After a few shots, the muscle can’t hold, and starts to slip or tremble, and your focus fades. I’m sure at my age I can still do a snappy pullup. But he second one will be slow, the 3rd one might not happen. Same thing for forcing your eye to try and focus up close. As a sidenote here, I have seen claims about nutrition or exercise programs to get your eye back in shape. I think they are a scam. Yes, if you exercise a muscle, you might build it up, but even if this were true for the eye, you have at best created a compensation; you have not fixed the underlying problem that the lens in your eye is hard, and does not focus as well.
If the eye muscle can’t exert to get your eye to your hyperfocal point for the rifle, the other solution is to add a lens. Positive diopter lenses will shift your focal point closer, so you can see up close without the eye muscle having to make the effort. This is what reading glasses do. Difference is that reading glasses shift your focus way close, to arm’s length for reading, which is much too close for shooting. To shoot, you need only a mild corrective lens to shift your focus from infinity to the hyperfocal point. To be clear, older shooters might NEED this correction to see, but young shooters can benefit from a lens as well - it will give them the same image they see with their unaided eye, but they will see it while the eye muscle remains relaxed, rather than having to hold the eye muscle still in the flexed state. This is why almost every Olympic shooter wears a lens.
What lens to use? Lens math for this is pretty simple. Lens power (measured in diopters) is simply the inverse of the focal length, in meters. A 2.0 diopter lens in reading glasses will focus at ½ meters. A 3.0 will focus at 1/3 meters, and a 1.5 diopter will focus at 1/1.5 = 0.66 meters.
You can easily work the math backwards – if you know the distance you want to focus at, convert it to meters, invert the value, and that is the lens you would want. Using the AR example, if you want to focus at 44”, that is 1.12 meters, and would require a +0.9 diopter lens (1/1.12 = 0.9) to shift your eye’s relaxed focus from infinity to the hyperfocal point. Since lenses typically come in ¼ diopter increments, you would round this to a +0.75 diopter. (I won’t go into why you always want to round down, but you do). Unfortunately, reading glasses from the drugstore usually start at +1.25 diopters, which is much too strong – these would give you a really sharp front sight, but the target will be gone in a blur.
If you wear daily glasses for corrective purposes, the good news is that diopters simply add, so if you are farsighted and need a +1.00 sphere to see distance, you would simply take the +1.00 in your prescription and add the +0.75 we worked in the above example, and your ideal shooting lens would be a +1.75. You do have to beware of signs. If you are nearsighted, and need a -1.00 to correct for distance, adding +0.75 to the -1.00 value would net you a -0.25 lens.
Now, there is an addendum to all of this for pistol shooters. In rifle, the rear sight drops out of the equation, and logically you balance focus between the front sight and the target. In pistol, the rear sight does not drop out of the equation, so there is a subtle shift in the logic. In my gut, I think you want to balance your focus between the rear sight and the target, not the front sight and the target. The difference is subtle, but it is not zero, so it is worth figuring out. I’m still gathering information on this, and welcome input from shooters.
After you have achieved focus at the hyperfocal distance, the next step is to reduce blur across the whole range of distances, and this is done by reducing your aperture size. The amount of blur you see on an object is linear with aperture diameter. Your eye naturally has an aperture (the pupil) of about 0.125” on a bright day. If you try and aim without a rear aperture (ie using notch sights), you will see considerable blur on the front sight and the target, even if your eye is at the hyperfocal distance. Using a 0.0625” diameter aperture will cut the amount of blur by half.
The ‘dark side’ of apertures (pun intended) is that the total open area of the aperture limits how much light reaches your eye. As you make the aperture smaller, the image gets dim. In theory, if you used a 0.012” aperture, the focus on the front sight and the target would both be at the resolving limit of the eye, and would be in perfect focus. Unfortunately, most people need about 10x as much light as this to see a good image, so a 0.040” aperture is about as small as most people can tolerate in an AR-15.
In pistol, you have the option to put an aperture on your lens, since you do not form a cheek weld to the rifle stock, and can thus move your head slightly to get proper alignment. These small apertures will do a huge amount of good in crisping up the focus on sights and on the target at the same time.
There is a subnote on apertures, which bears on my products: apertures focus is a particular direction, based on how big they are in that direction. In other words, a horizontal line has its vertical blur limited by how tall the aperture is, while a vertical line can blur side/side based on how wide an aperture is. If you look at a front sight post through a standard round aperture, it will exhibit the same amount of blur on horizontal and vertical edges. However if you keep the total area constant, but make the aperture wider and shorter, so it becomes oval or rectangular, you will improve focus on horizontal lines, and give up focus on vertical lines, even though you have not given up any brightness. For a post shooter, this is a benefit. Windage aiming, and elevation aiming are two different things for your brain. In windage, you are judging the symmetry of the target to the front sight. Centering a target between two sharp vertical edges of the sight, and centering it between two fuzzy edges is the same thing, so focus is not important for windage estimation. Elevation, however, requires determining exactly where the top edge of your sight is, and for this you need sharp focus. Net, a slit shaped opening will bias your focus on the top horizontal edge, giving you improved focus ion elevation, without any sacrifice in windage aiming.
Remembering that most AR shooters find that an 0.040” diameter is as small as they want to go, a rectangular aperture of 0.025” tall x 0.050” wide has the same open area, so the same image brightness as the 0.040” round aperture, however since blur is linear with aperture dimension, dropping the vertical opening from .040” to .025” will reduce blur on the top edge of the post by about 30%.
Bottom line: for pistol shooters, if you do not wear glasses to see far, you would benefit from a +0.50 or +0.75 lens. If you do wear glasses, adding +0.75 to your distance prescription will do the same thing for you.
In the interests of full disclosure, I do sell the products I am discussing here, so apply the appropriate skepticism to my recommendations. But I developed these products in accordance with the laws of physics, I am not trying to ‘spin’ the laws of physics to justify my products, so you will find many shooters who insist they work.
I do sell safety glasses that have +0.50 or +0.75 lens inserts in them.
I cut custom round lenses for shooters to fit into Knobloch and similar shooting glasses, including prescriptions for astigmatism.
I am working on making self adhesive foil apertures. I have 0.042” and 0.054” apertures. These are in the range of sizes rifle shooters use for outdoor light. I’ll give some of these away to any pistol shooter who buys a lens, just to get feedback on if these sizes work for indoor lighting. If you want a set for free, send me a self-addressed stamped envelope by July 1, and I’ll send a pair out.
Art Neergaard
ShootingSight LLC
607 Redna Terr., Suite 600
Cincinnati, OH 45215
http://www.shootingsight.com
email: shootingsight@nuvox.net